Toby Filpot and Toby Jugs
In a previous article, we discussed the development of the Appalachian dulcimer and the various forms of hammered dulcimer in Europe. Now, let's explore the use of the hammered dulcimer in colonial America.
The Introduction of the Dulcimer in America
The dulcimer was not a commonly seen instrument in Colonial America, and estate inventories of the time have yet to unearth any dulcimers. However, considering its popularity in England, it is reasonable to assume that some did make their way across the Atlantic. The earliest recorded mention of a dulcimer in America is a reference by Judge Samuel Sewall in 1717, who saw one at his cousin's house in Salem, Massachusetts.
Genteel Young Ladies and Dulcimer Lessons
Similar to Europe, the dulcimer in America seemed to have been played by genteel young ladies in their homes. They had the opportunity to receive dulcimer lessons from itinerant music masters, such as John Beals, a "Musick Master from London." Beals advertised in 1749 that he taught various instruments including the dulcimer and offered lessons to young ladies in their own homes. However, being a dulcimer teacher was not particularly lucrative, as evidenced by Beals later finding success as a manufacturer of stockings and even as a horse fly net maker.
Professional Dulcimer Players
Occasionally, there were professional dulcimer players who entertained audiences. In 1752, a famous posture master arrived in New York and performed various dances and tumblings accompanied by the "Musick of a Dulcemer." These performances took place in theaters and other venues, providing a unique musical experience to the audiences of the time.
The Dulcimer in Social Clubs and Everyday Life
The dulcimer found its place in social clubs and everyday life. The Tuesday Club, a gentlemen's social club formed in Annapolis, Maryland in 1745, had members who performed and composed music. One meeting of the club featured a member playing the cello, accompanied by a stranger invited to the club, Thomas Richardson, who played the dulcimer in a "very good taste."
Other evidence of dulcimers includes advertisements for their sale at auctions, mentions of their use in Revolutionary soldier's journals, and advertisements for dulcimer instruction in newspapers. These examples demonstrate the continuing presence and interest in the dulcimer during colonial times.
Toby Filpot - A Unique Musical Experience
Now, let's shift our focus to Toby Filpot, a renowned figure associated with living history and reenactment music. Toby Filpot, also known for his association with Toby jugs (ceramic mugs depicting a jovial man), brings a unique musical experience that combines history and entertainment.
Toby Filpot, through his performances, takes audiences back in time and immerses them in the music of yesteryears. His enchanting renditions on instruments like the hammered dulcimer and other traditional instruments allow people to experience the melodies that once graced the homes and social gatherings of colonial America.
From the dulcimer's humble beginnings in colonial America to the extraordinary talents of Toby Filpot, the living history and reenactment music scene continues to capture the essence of the past. Through these musical experiences, we can gain a deeper appreciation for our cultural heritage and the role of music in shaping societies throughout history.
Dulcimer Music at KM Hotels
If you're fascinated by living history music and the unique sounds of the dulcimer, consider visiting KM Hotels. We understand the importance of preserving cultural heritage, and our hotels often host live performances featuring talented musicians like Toby Filpot. Immerse yourself in the beauty of dulcimer music and create unforgettable memories during your stay with KM Hotels.